I can find this phrase in a few dictionaries:

knock-down, drag-out — marked by extreme violence or bitterness and by the showing of no mercy knock–down, drag–out political debates

But I don't fully understand why these two phrases became such a common saying. Why did this particular combination come to mean a particularly terrible fight or war? Is there something in each phrase that brings a particular meaning? Or does it just something that sounds catchy?

If it helps, here are the notes from etymonline that points toward the 1800s as the time of origin:

knock — Knock-down, drag-out is from 1827.

drag — Drag-out "violent fight" is from c.1859

"Drag-out" came to mean "violent fight" but almost 30 years after the phrase "knock-down, drag-out" was recorded. So why did the phrase include "drag-out"? What did it mean in the 1820s?

3 Answers 3


Bartlett's Dictionary of Americanisms, 1848, s.v. Drag out says ‘A “knock down and drag out” is a fight carried to extremities [my emphasis]. The term drag out seems also to be used, at the South, to denote a bully, a tearer’, and gives an instance:

Set to your partner, Dolly,—Cut him out, Jim, —Sald does put her foot down good. The yellow roan’s up! He a rael [sic] stormer, ring clipper, snow belcher, and drag outSouthern Sketches

I have always taken the phrase in more or less Chris’ sense: that a drag-out fight is one in which the defeated party is not only unable to rise for thirty seconds but remains indefinitely unconscious, so that he must be dragged out of the ring.

Early uses, however, show that drag out is an action performed by a fighter on his opponent:

A few days since, says the Rochester Republican, a clever good-for-nothing fellow came to our village, from the country, and being somewhat taken with its appearance, and feeling “pretty cute,” took too much of “the creature;” the consequence of which was, a little zig-zag in his movements, and a design to “knock down and drag out.” —Ladies Museum, Providence [, R.I.], Jan 21, 1826

... one of those dashing blades, so frequently to be encountered in the southern country, who, despising the humdrum monotony of regular life, are ready for adventure—lads of the turf—the muster-ground—the general affray—the men who can whip their weight in wild cats—whose general rule it is to knock down and drag out. —W. Gilmore Simms, Guy Rivers: A Tale of Georgia, 1834

“Once, my son, old Jim could knock down, drag out, whip, lift, or throw any man in all Sangamon” —Edmund Flagg, The far West, 1838

I can knock down and drag out a whole regiment, whip my weight in Indians, swallow a buffalo whole, and pick my teeth with the bones. —“A Duel in Georgia”, The London Journal, No.172, Vol.VII, June 10, 1848

The grisly character of that performance—and the ‘extremities’ to which a fight might be carried—is suggested in Richard Penn Smith's Colonel Crockett's Exploits and Adventures in Texas ... Written by Himself (1837). On the road to Texas Crockett hears a fight in the distance, and arrives at the last moment:

I saw the uppermost one (for I could not see the other) make a heavy plunge with both his thumbs, and at the same instant I heard a cry in the accent of keenest torture, “Enough! My eye is out.”  [...]
 ”Now blast your corn-shucking soul,” said the victor, a lad about eighteen, as he rose from the ground, “come cutt’n your shines ‘bout me agin, next time I come to the Court House, will you! —Get our owl-eye in agin if you can.

It turns out that the ‘fight’ was no such thing, but a solo affair in which “the young man had played all the parts for his own amusement”; and the author says that

All that I had heard and seen was nothing more or less than what is called a rehearsal of a knock-down and drag-out fight.

Unlikely as it may seem, the notion that drag-out originally signified mutilation appears to be corroborated in a US House of Representatives speech defying certain proposals by members from Kentucky:

These men never had a meeting some few years ago, as travellers in these two districts relate, either for sacred or secular purposes, but that, when the service was over, they always took a set to, a knock down and drag out. It has been said to be a fact, that twenty years ago, in either of those districts, whenever such a festival had happened over night, boys might, in the morning, gather up several baskets full of eyes, noses, ears, and other members subjected to depredation by the established laws of combat. —Speech of Mr. Burges, of Rhode Island..., 1828.

I find it interesting that the two earliest instances of drag-out I have found, from 1826 and 1828, both originate with Rhode Island sources.


It's a fight. It's violent enough that one opponent is knocked out. They easiest way to remove an unconscious person from the pub (arena/venue/other) where the fight took place is to drag him out to the street. There would be no dragging out without the knockdown, so that may be why the shorter phrase came after the longer one was already in use.


It comes from boxing; a knock-down, drag-out fight is a lengthy one, where both opponents are closely matched in size, skill, and weight, so they manage to knock each other down (but not out), and extend the fight.

  • I tend to agree with your definition @brasshat, but can you include some sort of citation or reference? Jul 7, 2014 at 18:53
  • Not a standard one; I remember that the question is a duplicate of one asked by a classmate in high school English class, but it's long enough ago that, although I can visualize the teacher (who was probabaly in her 70's, at the time, and this was in the late 60's), I cannot presently think of her name. The answer is the one she gave.
    – brasshat
    Jul 7, 2014 at 19:33
  • Yeah, I'm pretty sure that resource is no longer available. I was just wondering if there was anything online that mentioned it in a boxing context. Being a boxing fan, I'm sure I've heard it in that context before. In any event, I upvoted your answer. Jul 7, 2014 at 19:55

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