Consider this example:

He got into the car. Started the engine, checked the mirrors. Stepped on the gas and headed down Main Street.

Omitting the subject from a sentence isn't proper construction, strictly speaking, but it infuses the writing with a sense of breathless urgency. I've seen a few writers use this style (notably in fast-paced suspense novels).

  • How common is this style?

  • Is there a name for it? (I was thinking staccato style, but that refers to short, choppy sentences in general)

  • 1
    Note that conventional style would probably write commas there instead of full stops, so that it becomes simply asyndeton. Commented Nov 18, 2011 at 14:45
  • @Cerberus, more specifically it would be diazeugma, asyndeton does not imply omitting the subject - it requires that the omission of conjunctions between related sentences. So, actually asyndeton does not require the clauses to be in the same sentence, example 'I have done. You have heard me. The facts are before you. I ask for your judgement.' However, it is not completely clear that the above sentences are related.
    – Unreason
    Commented Nov 18, 2011 at 15:16
  • 2
    Also, to @Jen I'd say that there is a case to be made that violating the rules of grammar deliberately for effect (such as staccato) is a valid approach to writing. However, to me, without the context, these sentences just look a little ham fisted.
    – Fraser Orr
    Commented Nov 18, 2011 at 15:33
  • 1
    For those who are also linguistics.SE fans, whether a language keeps or allows 'naturally' dropping subject pronouns is a language parameter (e.g. English is not pro-drop but Italian is). The pro-dropping phenomenon here is agrammatical English but is a stylistic pattern.
    – Mitch
    Commented Nov 18, 2011 at 17:32
  • 1
    The point of a figure of speech is that it breaks with normal grammatical (or semantic) conventions. The normal convention for lists in English a a comma or semicolon separated list of items with the last one being joined with a conjunction (with or without a comma depending on whether you live in Oxford or Cambridge.) Assuming the periods were meant to be commas, the OP follows this pattern and can hardly be designated as a figure of speech like asyndeton.
    – Fraser Orr
    Commented Nov 18, 2011 at 20:09

6 Answers 6


There is grammatical ellipsis, which in general case might not introduce the sense of accelerated time, but quite the reverse, depending on how hard is it to parse, for example:

The average person thinks he isn't.

The parsing here needs backtracking which slows the reading, but gives an effect of delayed and double, in-depth comprehension.

In terms of pure effect, look at diazeugma

The figure by which a single subject governs several verbs or verbal constructions (usually arranged in parallel fashion and expressing a similar idea):

The Romans destroyed Numantia, razed Carthage, obliterated Corinth, overthrew Fregellae.

Wikipedia defines Diazaugma Disjunction:

The subject appears at the beginning of the sentence and each verb follows in its respective clause.

As I said - for pure effect this is diazeugma, but the problem is that the text is agrammatical and the figures apply to grammatically correct texts. However, I think that is a narrow view. I find this text explains the matter in appropriate detail, from which I will only very shortly cite:

Almost 30 years ago, in An Alternate Style: Options in Composition (now out of print), Winston Weathers made a strong case for going beyond strict definitions of correctness when teaching style. Students should be exposed to a wide range of styles, he argued, including the "variegated, discontinuous, fragmented" forms used to great effect by Coetzee, Dickens, Mencken, and countless other writers.

Finally, thanks to @Cerberus, under the same relaxed rules, the figure can be considered asyndeton, from wikipedia example

"We must... hold them, as we hold the rest of mankind, Enemies in War, in Peace Friends."

Finally, the reason why I want to be tolerant of the fullstops is that I find it interesting and rewarding to interpret them as commas, but with certain dramatic pause of undetermined length and tend to read the text as an internal monologue of the storyteller.

For answer on how common is this (I assume in literature?) head to literature.


How common is this style?

Two examples spring to mind.

The shipping news is almost entirely written in that style. Concerns a newspaper writer, inner thoughts composed as headlines, compressed narratives. Heart is broken, re-mended. Sea rolling in the background. Beautiful, poetic, spare.

James Elroy, literary crime writer, has taken this style as far it will go. It’s a lot of fun, but can give some people a headache.

The figure if speech is 'ellipsis', but I don't know a name for it as an extended writing style. Saying something is 'elliptical' though, is usually a criticism of its intelligibility

Hmm. On this site it's hard to let this pass:

Omitting the subject from a sentence isn't proper construction, strictly speaking

Proper constructions are generated by grammar. Grammar is the bunch of rules you have in your head which allows you to take a finite set of words and construct completely new sentances which will be understood by other people. When you are a kid learning these rules, you often get it wrong, so you get taught Chapter 1 of these rules in school. Chapter 1 is a very small subset - probably what you are referring to as 'Proper Constructions'. The other chapters really only interest linguists, hobbyists, and more recently, computer scientists so most people never read them. These chapters will cover dropping subjects etc and such constructions are just as 'proper' as the ones they teach at school.

  • +1 for robustly slapping down those accusations of "not proper construction". Commented Nov 23, 2011 at 1:19

When it comes to creative writing, be it fiction or non-fiction, proper construction goes out the window, and an author's writing style -- or the style of writing he or she chooses to adopt for a particular piece -- comes to the fore.

As this article on writing style notes, not only do styles vary by author, but particular styles of writing may fall out of favor. For example, notes the article, modern readers prefer Ernest Heminway's "concise, staccato" sentences to the florid prose popular in the Victorian era, as exemplified by George Bulwer-Lytton:

It was a dark and stormy night; the rain fell in torrents--except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness.

The same passage, in Hemingway's style:

After dark a storm came and sometimes in the wind there was a noise on the rooftops. You could see the streetlamps struggling to stay lit.

This article credits Hemingway with pioneering this clear, brief style:

Hemingway pioneered a new style of writing that is almost commonplace today. He did away with all the florid prose of the 19th century Victorian era and replaced it with a lean, clear prose based on action rather than reflection... It is hard to find anyone writing today who doesn't owe a debt of influence to Hemingway.

So, to answer the OP's questions:

  • This style of writing is more common in the modern era, especially post-Hemingway.
  • It seems fairly common to characterize this style of writing as staccato. (Just Google staccato writing style.)
  • I see OP's staccato style put both of us in mind of Hemmingway! To be honest I don't rate him that highly as a writer, but on average I certainly prefer his clarity over, say, James Joyce at his most obscure! Anyway, have the upvote for pointing out what I didn't - more common in the modern era, especially post-Hemingway. Commented Nov 23, 2011 at 1:03
  • Thanks. Actually, Googling "staccato writing style" popped up references to Hemingway, and I thought, "Of course..."
    – Gnawme
    Commented Nov 23, 2011 at 1:08
  • Ah - I was one ahead of you then! I thought of Hemmingway before googling, but I must admit I was a bit surprised after leafing through several pages to find a "typical" example, when I looked at the sentences preceding my quoted patch of staccato style. Having not read any for years, I'd mistakenly remembered it as all being like that. Commented Nov 23, 2011 at 1:17

This figure of speech is called an ellipsis.

This is used very frequently, for instance "all this" rather than "all of this".

It is used in poetry, in litterature, in spoken language. (This is another ellipsis for "it is used in poetry, it is used in litterature, it is used in spoken language)

More agressive ellipses are particularly visible in telegraphic style and in newspaper titles. (This is yet another ellipse: "... and it is also visible in newspaper titles")

See also Ellipsis that results in one word serving as both subject and object


Some people say that Ernest Hemmingway, for example, has a "staccato style" characterised by short sentences. Here's an excerpt from The Short Happy Life of Francis Macomber (1936)...

This Macomber was an odd one though. Damned if he wasn't. Now the wife. Well, the wife. Yes, the wife, Mm [sic] the wife.

...which seems to bear that out. But it's worth pointing out that in the preceding two paragraphs there are sentences with 40, 44, and 48 words. Possibly even longer ones; I got bored counting.

Unless we're going to say that Hemmingway didn't know how to write, we should be very careful about saying any particular usage is "incorrect" just because it violates simplistic rules of grammar.

Regarding the name of any particular non-standard usage, I don't think there's much point in dredging up terms like diazeugma (even that Wikipedia article uses mainly Latin for its examples). To my mind, ellipsis, as pointed out by others, is a perfectly adequate term for all such "omissions". Anything more detailed is like seeking a Greek term for Hemmingway's (ungrammatical?) capitalisation of "Mm" in the above.

As to how prevalent such deviations from standard grammar are, it depends very much on what you read. You'll probably see plenty of examples if you read a lot of poetry or "mould-breaking" literature. And for different reasons, if most of what you read is postings in on-line forums (especially those where many posters are young and/or non-native speakers of English). All I can say is they're common enough to not seem remarkable to me.


In your example, a solecism is being employed to alter the pace of the reader to help set a mood.

Worst. Explanation. Ever.

I have a problem with the application of the terms diazeugma or ellipsis to your example, as I don't believe it proper to treat the sentence fragments as though they stand on their own. It is effectively one grammatically correct sentence with periods substituted for commas.

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