Nigel Rees, The Cassell Dictionary of Word and Phrase Origins (1987) has this entry regarding the question "WHY DO WE SAY ... BRIDES GO UP THE AISLE?"
Sir Thomas Bazley fired off a letter to The Times in July 1986: "Sir, You report that Miss Sarah Ferguson will go up the aisle to the strains of Elgar's 'Imperial March'. Hitherto, brides have always gone up the nave. Yours faithfully ..."
Quite right, of course. The nave is the main route from the west door of a church to the chancel and altar; the aisles are the parallel routes at the sides of a church, separated from the nave by pillars.
Nevertheless, the phrase 'up the aisle' in connection with weddings holds strong. Could it be that the assonance of the 'i' sound in 'bride' and 'aisle' has something to do with people preferring the inaccurate to the accurate?
But I'm less concerned about the question of aisle versus nave than with the question of up versus down. Rees's discussion surprised me because he takes for granted that brides go up (not down) the aisle to the altar. There are certainly published examples where this direction is identified. For example, from Lady Helen Forbes, It's a Way They Have in the Army (1905):
The brides always look "handsome," or at least "charming," before the ceremony, and "radiant" after it ; and there is something especially touching in the "bevy" of beautiful young creatures who follow her up the aisle (each, of course, hoping it may be the last time that she will have to play second fiddle instead of first at a wedding, and wishing that it were true that one marriage always leads to others). The bride "leans on the arm of her father," she never drags him up the aisle out of step; and the bridegroom "makes his responses in a manly voice," but does not mumble them haltingly after the clergyman.
All my life, I've understood that the bride walks down the aisle to be married. Not surprisingly, there are examples in support of this direction, as well. For example, from Nancy Piccone, Your Wedding: A Complete Guide to Planning and Enjoying It (1982) [combined snippets]:
The bride must decide whether to take her father's left or right arm; if she takes his right, he will not have to cross behind her to return to his pew on the left side of the church, and this will facilitate matters. However, the bride may ask both of her parents to escort her *****, one on each side. Or the bride and groom may decide to walk down the aisle hand in hand. If the bride's father is deceased, she may ask an uncle, her brother, a close relative, or her mother to accompany her down the aisle.
And from Charlotte Ford, Etiquette: Charlotte Ford's Guide to Modern Manners (1988) [combined snippets]:
In a formal wedding, the bride walks down the aisle on the arm of her father (if the bride's father is dead, she may choose her brother, a favorite uncle, or a close family friend to walk with her down the aisle), preceded by her flower girl or ring bearer. The maid or matron of honor precedes the flower girl, and the bridesmaids and ushers lead the processional. The bride meets the groom, the best man, and the clergyman, who have appeared as if by magic at the front of the church.
Of course, if you walk up the aisle to get to the altar, you presumably have to walk down the aisle to leave the church as a newlywed. And vice versa if you've walked down the aisle on your way in.
My questions are:
Is there a split in idiomatic preference between British English on the one hand (favoring "up the aisle") and U.S. English on the other (favoring "down the aisle")?
Has there been any general shift in recent years toward favoring "down the aisle" over "up the aisle" (or vice versa), regardless of which type of English we're talking about?
Which idiom is older in this particular sense—"up the aisle" or "down the aisle"?
Which is the more common idiom today for describing brides heading toward the alter?