The New York Times’ Theater Review of ‘Macbeth’, being performed by John Douglas Thompson at the Duke on 42nd Street, starts with the headline, “The deed is done, the doers undone.”
What does this line mean? Does it mean that players performed their role, but just in mediocre way? Is Ben Bradley, the writer, being critical about their performance? Just for a taste, the beginning part of this article reads:
See that big guy over there? Almost Herculean, isn’t he, with his sinewy arms and swelling chest, the kind of man you can easily imagine as a master of war and of women. But look again, closely. There’s doubt in his face, too, as if he were not always sure of what he’s doing or even who he is. I bet you this Hercules could crack. You sure wouldn’t want to fight him, but then you wouldn’t want him on your team, either.”